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Interview - Climbing Photographer: 
​Michelle Ranee Johnson

From: Fresno, CA

Above: Photo of Kylie Cullen taken by photographer Michelle Ranaee Johnson
​How did you get into climbing?

Back in 1994, I read about Lynn Hill’s incredible feat of free-climbing the Nose on El Capitan in a day (being the first person, male or female, to accomplish this achievement). I was 13 or 14 at the time and didn’t know anyone who climbed, and there were no climbing gyms in Fresno at the time, so it became a dream up in the sky for me.  During grad school, my mom got me a pass to the climbing gym in Fresno as she knew it would be a good outlet for me and knew I was very interested in the sport. Little did my mom know that it would be the pathway of where I could mesh three loves I have together (climbing, photography and geology).
Picture
Michelle Ranee Johnson leading one of her projects (Lizard Run - 5.12a in Danland, CA). This was my first 5.12a Iead.​ Photo taken by Lauren Luketic
Who taught you the ropes?
I’ve been fortunate to learn from excellent climbers, and I learn from everyone I meet, regardless of experience (sometimes the newer climbers teach you stoke).

1. My first mentor was Karl Runde, who took me up Royal Arches in Yosemite NP for my first multi-pitch (and second time ever climbing outside). Afterward, we went down the North Dome Gully descent at night with our friends Ivy Mendoza and Court Bartholomew. I was also taught a great deal by the incredible IFMGA guide Doug Nidever (who is like a cat with nine lives).

2. 
For technique, three incredible climbers: Hayley Brown Robinson, Gara Villalba and Gara’s husband Pep Soldevilla. All three have taught me so much about how moving beautifully up the wall helps with getting up the climb easier and more efficiently. And every climber I’ve photographed has helped me with this as well, as watching is learning. Emilie Pellerin gave me wonderful advice as well. 
​3. For being consistent and wonderful partners who always are supportive of me and my dreams and whom I know I can trust fully - my great friends Lauren Fahrenkrug, Thad Robeck, and Kory Riddle. Part of climbing is always knowing who always has your back, who supports you unconditionally, and always is stoked!
​

​4. For photography rigging, I have been fortunate to learn from the amazing Marcus Garcia and Emilie Pellerin.

​5. For climbing photography – all the instructors and editors at the 2018 Rock and Ice Photo Camp: John Evans, Jeff Rueppel, Marcus Garcia, Christopher Beauchamp, Jon Cardwell, Michael Levy, Francis Sanzaro, Alison Osius and even got great tips from Rita Young Shin.

What does climbing and the mountains mean to you?

Climbing means freedom and peace to me: Freedom to be yourself, freedom to not think about life’s problems, freedom to tackle a problem and figure it out for yourself, peace to be at one with nature.

The mountains mean the world to me. I am at the most peace when I’m up in the mountains. I grew up going to Mineral King in Sequoia NP. There, I learned about geology (I have my Master’s in geology now), high alpine lakes and peaks, fascinating animals (like marmots who like to eat radiator hoses and electrical wiring), and the tranquility that only being in nature can bring you.

What climb has been the most memorable to you and why? 

That is difficult. There are so many great lines to choose from (basically my favorite climb is whatever I’m climbing at the time!). I’m going to break it up:
  1. Multi-pitch: Even though Royal Arches means the world to me, the South Face of North Dome (5.8, 900’) is my ultimate favorite multi-pitch I’ve done up to now. True adventure climbing. Four miles hike in and out, 23 hour day (includes driving to it and back), a boulder problem, low-angle liebacks, two chimneys, slab, etc.
  2. Sport lead: Most memorable and fun happened to this past month! Munsterlander (5.11c, 85’, Tensleep, WY). Munsterlander happens to be the name of my dog’s breed (at least we think that is what he is mostly). Pumpy, and so much fun! Additionally, I almost onsighted it (fell three bolts from the top).
  3. First Ascent: Fire in the Hole (5.9 on gear, 45’) at a small local crag my friend Thad Robeck and I have been developing. My first trad lead as well, so it’s a memorable climb.

Picture
How did you get into climbing and outdoor photography?

​For climbing, it’s the story about Lynn Hill that first inspired my love for climbing. For outdoor photography, I’ve been taking photos ever since I was a kid in Mineral King. Started with my mom’s Canon DSLR, then eventually getting my first DSLR (Nikon D7100) back in 2013 after having point and shoots (I still miss my Pentax point and shoot -it was stolen in Australia), and just last year got my first full-frame DSLR (Nikon D850). I already was photographing a ton of landscape and nature shots, so it was natural to start photographing climbers. This natural transition has been exceptionally fun for me as I get to mix two passions together!

Michelle, you work really hard at what you do. Explain a day on a shoot:

My day photographing depends on the problem/route the climber is doing. Bouldering is naturally easier (for the most part), as I rarely have to rig a line. However, routes are an entirely different story, but they are a ton of fun to photograph. I have a lot of gear I need to bring to and from the crag. That can be interesting since I’m pretty tiny. 

Once I get there, I look to see where and how I want to rig my static line. If there’s no way for me to rig the line myself (climb a route next to it or walk up from on top of the crag), my climber will climb his/her route, drop a line to pick up my static line that already has pre-made bunny ears with locking carabiners for the anchor (if it’s a sport anchor). Then I ascend using a jumar and a GriGri and get myself into a place of where I want to photograph the climber. 

The most memorable so far was at The Cathedral in Welcome Springs, UT. A storm blew in, and I was being blown around horizontally (as I said before, I’m a tiny person) even with me using one of my personal anchors (I tend to have two) on a bolt to steady me (and one hand on the PAS to try to stop any movement), rain was coming down (thank goodness for weatherproof gear), holding my camera in place with the other hand (my camera is huge), while Delaney Miller was climbing up Solid Gold (5.14c). It was very memorable (and luckily I got some great shots)!

Are climbers difficult like the other rockstars to photograph?

So far, the climbers I’ve photographed are wonderful to work with and photograph. No one has been a “diva,” and everyone has been super stoked. I have found that climbers tend to calm down when someone is up there with them. I also ask climbers what they need from me to succeed – do I need to remind them to breathe? Cheer them on? Etc. Everyone has a different vibe that makes them try harder. The key as a climbing photographer is to help them succeed in whatever way works best for that particular climber.

How best do you capture an image?

That’s difficult to say. Every shoot is different; every climb is different. Of course, the best images are always taken during the best light (so definitely not in the middle of the day unless it’s a cave). It’s good to know beforehand where the sunlight is, and if it would be better in the early morning or later on in the day for the climber to climb the route for the image.

What are some of your favorite images? Show us and explain what it means to you.

I love quite a few of my photos for various reasons. You asked me for four photos that I’ve taken of numerous climbers (and since it’s a woman’s edition, I am choosing female climbers), so I will pick four of my favorite images:
​
Picture
Kylie Cullen (Xavier's Roof, V11) taken by Michelle Ranee Johnson.
  • The first photo is of Kylie Cullen working on Xavier’s Roof (v11) in Dale’s Camp near the Buttermilks, Payahuunadü (Paiute term for Bishop area), CA. I wanted to give a different perspective of this famous boulder problem. Moreover, I just loved the ​way it turned out. Not only that, Kylie is only 14 years old and is one of the coolest and one of the most technical climbers I’ve ever met. She is starting to take on the climbing community by surprise and is winning tons of competitions (including Women’s Up Bouldering comp where she won even against Alex Puccio and Alex Johnson). Kylie is one to keep an eye out for as she is a huge up and coming climber. Also, she and her family have been super supportive, and without them, I may not be where I am today in the climbing photography world.

  • The amazing Delaney Miller on her project Solid Gold (5.14c) in The Cathedral, Welcome Springs, UT. This shot I took of her when I was being blown around like a ragdoll. Delaney is one of those climbers who is calm, confident, and has a very quiet, yet determined fierceness when she climbs. Super technical and proficient. If you want to watch someone with impeccable technique and grace, please watch videos of her. Not only that, she is one of the coolest, kindest, and supportive people you’ll ever meet and one I am grateful to consider a friend.
Picture
Delaney Miller (Solid Gold, 5.14c) taken by Michelle Ranee Johnson.

Picture
Heather Weidner (Chi Chi get the Yayo, 5.14a) taken by Michelle Ranee Johnson.
  • Heather Weidner has been one of my favorite outdoor climbers since I first started to climb. She ended up being at Crag 6 in Tensleep, WY when I was there to photograph another lovely climber (Emilie Pellerin). Heather rigged up the line for me, and then not only did I take photos of her on her project “Chi Chi get the Yayo” (5.14a), but I was there taking pictures of her sending her hard project (which she made look super easy)!!! It was a super awesome moment for me too as it was fun to document her send and to be up there with her!​

  • Last, but not least, one of my favorite people I’ve ever met is a French Canadian climber named Emilie Pellerin. She is full of life and joie de vivre, as well as being a super strong and technical climber, both in sport and trad climbing. She is known for her amazing onsight ability. My favorite shots that I take tend to be when climbers are sticking the difficult moves, but this one of Emilie falling was powerful to me. Climbing isn’t always about making the send. Most of the time (if you’re pushing yourself), climbing is about failing and then working on improving enough to make the send. To try again…another day. This photo evokes that raw emotion when you try really hard, yet still don’t get that send. She pushed herself to go even at night with a headlamp (it was super hot that day, so she wanted cooler temps). She decided to rest one day and then come back. When she came back (through the mud for several miles), she sent it her first go (Sayonara Bitch, 5.13d, Crag 6, Tensleep, WY).​
Picture
Emilie Pellerin (Sayonara Bitch, 5.13d) taken by Michelle Ranee Johnson.


​Are there any climbing dreams you have yet as a climber or as a climbing photographer?
So many dreams – in both realms. 

The list is endless.

Priority #1: to always have fun and enjoy every moment.  Icing on the cake: to someday climb the Salathé Wall on El Capitan; climb Ecstasy (5.13b) in Pine Creek, CA; to climb and photograph around the world (from the Needles to the Bugaboos, to China and Laos, to Bhutan, South Africa, and Slovenia (to name a few). 

Photography dreams: I would love to work for National Geographic at some point as I grew up reading and looking at their magazines and fell in love with their photography (I think that is every photographer’s dream though so it’s pretty cliche). 
​
Another dream: I’ve also helped with high school climbing programs (with Duncan High School in Fresno), and would love to get my guiding license so I could take these awesome kids outside to climb!
CONTACT MICHELLE: 
Website: https://www.michelleraneejohnson.com/adventure
Instagram: https://www.instagram.com/michellerjohnsonphotography
Facebook: https://www.facebook.com/michelleraneejohnsonphotography

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  • Common Climber
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  • Photographers & Artists
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