The names of first ascents have been drawn from many and varied sources although one area of fertile ground has always been of a funereal, elegiac nature. High and brooding above Llanberis Pass in Wales are the legendary climbs of Cenotaph Corner and Cemetery Gates. The USA probably has its share too but my knowledge of them is somewhat on “The Nose.”
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Although also of a graveyard nature, Tombstone Territory instead elicits visions of the “Wild West” and Boot Hill, a result perhaps of the many Hollywood cowboy films watched in my youth. In Australia, Victoria has The Hangman, Queensland has The Noose, the ACT (Australian Capital Territory – Canberra) has Deadwood Crack but New South Wales maybe eclipses all as it has Tombstone Wall. Over the last two issues of Common Climber two of the classic cracks of Piddo have been reviewed namely Flake Crack (17/5.9) and The Eternity (18/5.10a). Now it is time for a classic wall, and Tombstone Wall certainly fills the bill.

With an intimidating name like Tombstone Wall, I felt I needed to approach it with caution. But for a Trad climb on an almost crack-less wall it was surprisingly well protected by horizontal slots which suddenly appeared as I tip-toed up the face. The traverse at third height was delicate and the climb finished with a steep, overhanging but juggy wall. All in all, a memorable climb."

-- Nathan Mas-Stephens

Tombstone Wall, Mt. Piddington, NSW, Australia. Photo Credit: Keith Bell

​Almost unheralded, its first ascent fell to none other than John Ewbank. In February 1965 Ewbank teamed up with another of the talented climbers of the time – John Davis, to ascend the 110-foot (30 metre) wall. Ewbank described it as “a very aesthetic climb taking a fine line up a grand black wall.”
 
Given the time it was put up, with shorter lead ropes prevailing, the climb was split into two pitches. The belay was situated on a reasonable sloping ledge in the shade of the final strenuous red/orange overhang leading up to the horizontal. While only graded 15 (5.7) the wall is not one to be taken lightly. It is now mainly led as a single pitch.

A friend and I did Tombstone Wall on our first day of trad on the strong recommendation of a more experienced climber who then wandered off. My friend led. I cajoled/bullied her up the wall with naïve statements like 'It’s only 15 (5.7),' 'I’m sure your gear’s bomber.' Then I got on to second and yikes, it’s actually thin! Our first classic Piddo sandbagging experience, and certainly not the last. So many classic sandbags there.” 

-- Josephine Roper

 ​Tombstone Wall is a grand, black face that I probably climbed on every occasion that I visited the crag.  I first lead it in the late 1960’s with Hughie Ward and have ascended it many times since. A steep rounded step leads to a leftward leaning incipient crack which requires a fairly difficult mantle to gain a small ledge. A good nut runner in a shallow crack above is followed by diagonal moves right to another runner. From here a delicate but delightful hand traverse leads right with another runner slot found on the way towards the distant range. Move diagonally right on some small ironstone footholds found on the edge of the arete, then move back left to another runner slot; back right; breathe a sigh of relief then pull up onto the lovely wall above.

"A delicate but delightful hand traverse leads right towards the distant range." Ian "Humzoo" Thomas showing how it was done in 1974. Photo Credit: Keith Bell

The author, Keith Bell, pulling through to the top in 1972. Photo Credit: The Daily Telegraph - Sydney

Many people now move further right to easier ground around the arete, but I have always enjoyed doing the wall direct. At the top of this section are some steep to slightly overhanging ironstone holds. Pull up through them and move slightly left to gain another breather on sloping but good ledges below the final overhanging finish. There is an obvious scoopy passage through this steeper rock, but I have always preferred the excitement of climbing a little bit further left of the original finish. Large thank-god holds await both at the top. A few metres left is a chain belay for the one abseil required down the Angular Crack corner to the base of the climb.

Tombstone Wall wastes no time showing its true colours with an exciting mantle that encourages you to smoosh your face up against the rock. But after you’ve survived that, it demands an airy traverse to the arete, ascending a wall above on fine holds, then a spectacular finish through a red bulging wall to top out. This gem is a choice introduction to Bluies Trad climbing."

-- Natalie Tan

On the original ascent Ewbank placed a piton at the top of the first diagonal wall section and a bolt at the base of the final overhang for an anchor. Since then, another bolt has been placed on the wall below the steep ironstone holds. The route was always clear of dirt and vegetation, so no cleaning was needed before the first ascent or subsequently. 
 
Once when I was walking along the base of the cliff, I ran into an old mate who was somewhat wide eyed and jabbering. After settling down he managed to blurt out that he had just fallen on Tombstone Wall. Now I never asked him just where this occurred because I was immediately side-tracked when he mentioned the eccentric piece that had stopped his fall. Certainly not a cam because they were not around at the time. A hexcentric you might ask? No, then it must have been a Ewbank “Cracker?” Same era, but not close enough.
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My friend’s fall was stopped by a Clog Brass Hexagon on wire.

Having seen Tombstone Wall deliver a wrecking-ball pendulum for an unsuccessful second removing gear at the mantle before the traverse, I was selfishly keen to lead it rather than follow. And rightly so, given that its grade reflects the average difficulty, not necessarily the hardest move. But this just adds to its classic status, a character climb offering varied styles, occupying a proud position amongst the wonderful architecture of Piddington."

-- Nicole Alice Kelly

Now this will certainly be viewed as an anachronism by modern climber with their array of bright, shiny, anodised, coloured coded, lightweight, active and passive protection - I would no doubt have to agree with them. Even at the time I saw it as a rather useless piece of metal. The hexagon was exactly that, about 5 millimetres across the flats, 15 millimetres long with vertical ends. You will realise why I was surprised it held and why my friend was jabbering so much when you check it out in the accompanying pictures.

Tombstone Wall seems like a fitting way to "put a nail in the coffin" of this mini-series of three classic climbs found at Mt. Piddington (Piddo) in the Blue Mountains of New South Wales, Australia (see Flake Crack and The Eternity).  Of course, Tombstone Wall's legacy will be carried on by those who choose to pay homage to its presence and continue to climb there. Many other climbs can be found at Piddo, and, indeed, another climber could easily have selected three different climbs to place in their frames. What this triptych clearly illustrates, though, is the amazing legacy that Ewbank bequeathed to his generation and to those who have followed.

​As a budding trad climber in the early nineties, Tombstone Wall was one of my first leads. I remember it clearly, perhaps one of the best tests around for someone aspiring to lead that grade. A great combination of carrots, the odd piece of gear, a tricky mantle, then a careful traverse out over the void, all while looking up with fear at the overhanging wall lurking above. A gem worthy of its name."

-- Justin Robinson

Image courtesy of the Scottish Mountain Heritage Collection

image courtesy of the Scottish Mountain Heritage Collection

 
Piddo has allowed generations of climbers to cut their teeth on, not only the three classics outlined, but many others as well. John used words as well as he climbed, and he penned this before he passed in 2013.
 
“If each succeeding generation feels the need to outstrip the achievements of the past — which they must, for muscles are there to be used, not merely flexed — then I hope it may be done with a sense of reverence for the cliffs themselves”.
 
I don’t think that John would be disappointed with the state of his masterpieces at Piddo.

Climbers on the top section of Tombstone Wall. Photo Credit: Justin Robinson